Delay is a tool, not a crutch — Jacklin uses it differently in each song.

One song uses delay as a rhythmic attack, the other as atmospheric texture.

In “Pressure to Party,” the delay is front and center — a quick, noticeable repeat that bounces along with the beat. It feels almost like a second vocalist filling the gaps. The delay is part of the song’s tension, pushing the energy forward. You hear it clearly on lines like “I feel the pressure to party.”

“Don’t Know How to Keep Loving You” is the opposite. The delay is subtle, almost a wash. A longer, darker echo that lingers in the background — more like reverb than a distinct repeat. It adds space and melancholy without calling attention to itself. The vocal sits closer to you, and the delay just softens the edges.

Jacklin knows exactly what each song needs. One is about fighting obligation, the other about quiet heartbreak. The delay follows the emotion.