The original Wall script was more straightforward.

Yes, the original concept was more literal—a linear rock opera about a washed-up rock star named Pink, with less of the surreal animation and historical detours.

Roger Waters wrote the initial screenplay as a direct translation of the album: a linear story of a man building a wall due to childhood trauma, an abusive mother, and a failing marriage. The trial and the wall’s destruction were there, but the film was supposed to be more of a gritty, realistic drama with occasional flashbacks.

Then director Alan Parker and animator Gerald Scarfe got involved. They pushed for a more abstract,

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