The original Wall script was more straightforward.
Yes, the original concept was more literal—a linear rock opera about a washed-up rock star named Pink, with less of the surreal animation and historical detours.
Roger Waters wrote the initial screenplay as a direct translation of the album: a linear story of a man building a wall due to childhood trauma, an abusive mother, and a failing marriage. The trial and the wall’s destruction were there, but the film was supposed to be more of a gritty, realistic drama with occasional flashbacks.
Then director Alan Parker and animator Gerald Scarfe got involved. They pushed for a more abstract,
