How Pink Floyd's Live Mobile Recording on Ummagumma Put Engineer Peter Bown in the Hot SeatMusic album music recording
How Pink Floyd's Instrumental Passages on *Wish You Were Here* and *The Endless River* Shaped Ambient MusicMusic band music pink-floyd
How Pink Floyd's Flying Pig (Algie) Was Created for the Animals Cover and TourTravel flight travel pink-floyd
How Pink Floyd's First Film Score 'More' Gave Birth to a Live Jam Favorite in 'Green Is the Colour'Music song music band
How Pink Floyd's Fight with EMI Over 'Atom Heart Mother' Royalties Changed Artist-Label PowerMusic record-label music pink-floyd
How Pink Floyd's early blues covers shaped David Gilmour's guitar style and birthed 'The Nile Song'Music song music band
How Pink Floyd's Dark Side of the Moon Set the Template for Cohesive Album-as-Art That Radiohead and Kendrick Lamar Later PerfectedMusic album music song
How Pink Floyd's 360-Degree Stage at Earls Court 1994 Changed Their Movement and LightingMusic band music pink-floyd
How Pink Floyd's 360-Degree Sound System at Knebworth 1975 Changed Arena AcousticsAutomotive engine maintenance pink-floyd
How Pink Floyd's 1994 Tour Lineup Used Auxiliary Musicians to Recreate Studio MagicMusic song music band
How Pink Floyd's 1974 Live 'Shine On You Crazy Diamond' at Wembley Differs from the Studio Version – and Why Gilmour's Solo Became LegendaryMusic album music song
How Pink Floyd's 1974 Dark Side at Empire Pool stacked up against Genesis's Lamb tour theatricsMusic band music pink-floyd
How Pink Floyd's 'The Wall' Tour Used a Click Track and a Massive PA to Rewrite Live Sound DesignMusic pink-floyd wall-tour-used click-track
How Pink Floyd's 'The Early Years 1965–1972' Box Set Chronologically Organizes Its DiscsMusic album music pink-floyd
How Pink Floyd's 'Sheep' Twists the 23rd Psalm Into a Revolution Anthem and Why Those Synthesizer Bleats MatterEducation pink-floyd sheep-twists 23rd-psalm
How Pink Floyd's 'Money' Uses a 7/4 Time Signature and Sound Effects to Capture Financial TransactionsMusic song music band
How Pink Floyd's 'Interstellar Overdrive' Used Tape Loops and Multitracking to Define Psychedelic SoundMusic recording album band
How Pink Floyd's 'Echoes' Did (And Didn't) Set the Blueprint for Prog Metal EpicsMusic band music pink-floyd
How Pink Floyd's 'Dark Side of the Moon' Sound Effects Shaped Nine Inch Nails' Industrial AestheticMusic album music song
How Pink Floyd's 'Arnold Layne' and 'See Emily Play' Hit the Charts Despite BBC BansMusic song music band
How Pink Floyd's 'Another Brick in the Wall, Part 2' Used a Disco Beat and Schoolchildren to Mock Authoritarian EducationMusic song music recording
How Pink Floyd's 'Animals' and Radiohead's 'OK Computer' Used Found Sounds and Atmospheric Layers DifferentlyMusic album music pink-floyd
How Pink Floyd used the Fairlight CMI and Michael Kamen’s orchestra on ‘The Trial’Home pink-floyd fairlight-cmi michael-kamen
How Pink Floyd Turned a Guitar into a Flute on 'Embryo' — and Why They Hid It for 15 YearsMusic pink-floyd-turned 15-years pink-floyd
How Pink Floyd synced film and music live before digital — the circular screen and the Holmes AutomationMusic band music pink-floyd
How Pink Floyd Segued 'Set the Controls' Into 'A Saucerful of Secrets' on the 1968 TourMusic band music pink-floyd-segued-set
How Pink Floyd recreated the cash register and heartbeat from Dark Side for the Pulse tourMusic album music band
How Pink Floyd recorded the 'Another Brick in the Wall, Part 2' children's choir — and the royalty mess that followedMusic band music pink-floyd
How Pink Floyd Rebuilt After Waters: The 'Momentary Lapse' Album and TourMusic album music pink-floyd-rebuilt
How Pink Floyd Played 'Atom Heart Mother' Live Without a ChoirMusic band music pink-floyd-played-atom-heart-mother-live-without
How Pink Floyd Opened the 1971 Meddle Tour with 'One of These Days' and Its Distorted Bass SoundMusic pink-floyd-opened 1971-meddle-tour distorted-bass-sound
How Pink Floyd layered the guitar parts and vocal harmonies on 'Dogs' — and where those barking sounds came fromMusic song music pink-floyd
How Pink Floyd handled 'Have a Cigar' live when Roy Harper wasn't available – 1975 tourMusic song music band
How Pink Floyd Got Their Name from Two Bluesmen (and the ‘Sound’ Suffix)Music band music pink-floyd-got
How Pink Floyd Faked Flying in the 'Learning to Fly' and 'One Slip' VideosMusic band music pink-floyd-faked-flying
How Pink Floyd eased Syd Barrett out: The five-piece months of early 1968Home pink-floyd syd-barrett pink
How Pink Floyd Built an Ethereal Drone with Prepared Piano and Odd Meters on 'Set the Controls for the Heart of the Sun'Music pink-floyd-built ethereal-drone prepared-piano
How Phil Taylor Hot-Rodded Gilmour’s Black Strat for the 'Another Brick in the Wall, Part 2' SoloMusic phil-taylor-hot-rodded-gilmour black-strat another-brick
How Norman Smith Used the EMI TG12321’s Valve Preamps to Warm Up Richard Wright’s Farfisa on ‘Piper’Home norman-smith-used emi-tg12321 valve-preamps
How Nick Mason Made 'Waiting for the Worms' Sound Like a Parade – and Why That Guts Line SticksMusic nick-mason-made-waiting worms-sound guts-line-sticks
How Neptune Pink Floyd Forums Reacted to the Waters-Gilmour Name DisputeMusic band music neptune-pink-floyd-forums-reacted
How Kamen and Jackson Made the Orchestra Fight Alongside Waters on 'The Fletcher Memorial Home'Home jackson-made orchestra-fight-alongside-waters fletcher-memorial-home
How Jon Carin became the uncredited architect of Pink Floyd’s late-era keyboard soundMusic band music jon-carin
How James Guthrie Used Noise Gate and Digital Reverb for the Gated Drum Sound on 'The Happiest Days of Our Lives'Music james-guthrie-used-noise-gate digital-reverb gated-drum-sound
How James Guthrie Used an AMS DMX 15-80 to Make 'The Gunner's Dream' Sound Like a War ZoneMusic james-guthrie-used ams-dmx-15-80 dream-sound
How James Guthrie Helped Shape The Wall's Opera Structure with LeitmotifsHome james-guthrie-helped-shape opera-structure pink-floyd
How did they record the lap steel guitar on 'High Hopes' and what effects were used to create the ethereal slide sound?Music high-hopes pink-floyd did
How Dick Parry’s spontaneous sax solo turned Roger Waters’ chord exercise into the emotional core of ‘The Great Gig in the Sky’Music recording album dick-parry
How David Gilmour's Hydraulic Lift Worked for 'Comfortably Numb' on The Wall Tour – and When It FailedMusic david-gilmour hydraulic-lift-worked comfortably-numb
How David Gilmour Used a Leslie Speaker Cabinet to Make ‘Dark Side’ Guitar Solos Swirl and DriftMusic david-gilmour-used leslie-speaker-cabinet make-dark-side-guitar-solos-swirl
How David Gilmour Defined Pink Floyd's Late-1960s SoundMusic band music david-gilmour-defined-pink-floyd
How David Gilmour built the ‘Run Like Hell’ arpeggio with a Strat and a BoogieHome david-gilmour pink-floyd david
How Clare Torry and Doris Troy Brought Gospel Soul Into Pink Floyd’s SoundHome clare-torry doris-troy-brought-gospel-soul pink-floyd
How Animals went from bleakly panned to Pink Floyd's most political classicMusic album music pink-floyd
How Alan Parsons Mic’d Dave Gilmour’s Amp for That Warm ‘Breathe’ ToneHome alan-parsons-mic dave-gilmour warm-breathe-tone
How Alan Parsons Created the Phased Drum Sound on Pink Floyd's 'Time'Music alan-parsons-created phased-drum-sound pink-floyd
How a Fan’s Zoom on the 'Atom Heart Mother' Cow Ear Tag Identified the Actual Cow in SomersetHome atom-heart-mother-cow-ear-tag-identified actual-cow pink-floyd
How a Children's Choir and a Double Negative Made 'Another Brick in the Wall (Part 2)' an AnthemMusic song music double-negative-made-another-brick
How a 2023 Fan Film Festival Reimagined Dark Side of the Moon, One Track at a TimeMusic album music 2023-fan-film-festival-reimagined-dark-side
How 'Time' Uses Clocks and Alarms to Capture the Shock of Growing OlderHome time-uses-clocks growing-older pink-floyd
How 'Set the Controls for the Heart of the Sun' became a live cornerstone—and why Pompeii is the definitive versionMusic band music pink-floyd
How 'Run Like Hell' Channels Fascist Crowd Energy Through a Disco BeatMusic song music hell-channels-fascist-crowd-energy-through
How 'Raving and Drooling' (1974) Differs from 'Sheep' on *Animals*Music drooling-1974-differs pink-floyd raving
How 'One of These Days' and 'Sister Ray' Both Use a Distorted Bass Drone as a Scaffold for ChaosMusic song music sister-ray-both-use
How 'Let There Be More Light' marked David Gilmour’s first lead vocal and bridged two Pink Floyd erasMusic song music band
How 'Interstellar Overdrive' Was Caught in One Take with the Binson EchorecMusic band music interstellar-overdrive
How 'If' from Atom Heart Mother Marked Roger Waters' First Lead Vocal and Foreshadowed His Thematic ObsessionsMusic song music atom-heart-mother-marked-roger-waters-first-lead-vocal
How 'Green is the Colour' Marked Pink Floyd's Shift from Psychedelia and Introduced Gilmour's VocalsHome colour-marked-pink-floyd introduced-gilmour pink-floyd
How 'Echoes' Uses Sound and Lyrics to Map a Journey from Isolation to ConnectionMusic song music echoes-uses-sound
How 'Dogs' Uses 'Stone' and 'Bone' to Contrast Corporate Power and MortalityMusic song music dogs-uses-stone
How 'Dogs' got its nine-minute core from a 1974 tour jam, and what the stone really meansMusic band music pink-floyd
How 'Cymbaline' Planted the Seed for Roger Waters' Obsession with ControlGardening seed-starting gardening cymbaline-planted
How 'Alan's Psychedelic Breakfast' Paved the Way for Ambient Artists Like The Orb and Boards of CanadaMusic recording album psychedelic-breakfast-paved
How 'A Saucerful of Secrets' in Live at Pompeii was split across two reels and captured by multiple camerasMusic song music band
